Sterling Crispin’s “Data Masks” are haunting portraits that don’t actually depict any one person. Instead, they use raw data to show how technology perceives humanity. Reverse-engineered from surveillance face-recognition algorithms and then fed through Facebook’s face-detection software, the Data Masks “confront viewers with the realization that they’re being seen and watched basically all the time,” Crispin says.
“Unless you have direct exposure to groups like Deepmind, you have no idea how fast — it is growing at a pace close to exponential. The risk of something seriously dangerous happening is in the five-year timeframe. Ten years at most. This is not a case of crying wolf about something I don’t understand.”