Tag Archives: Hanna-Barbera

Heidi’s Song TV Broadcast Bumper (circa 1988)

Commercial broadcast bumper for Hanna-Barbera’s Heidi’s Song starring Lorne Greene!

Watching The Jetsons and I just realised how much Mr. Spacely looks like Adolf Hitler.

Watching The Jetsons and I just realised how much Mr. Spacely looks like Adolf Hitler.

850 photos: Making of Yogi Bear and The Flintstones in 1960

LIFE photographer Allan Grant took 850 photos documenting Hanna-Barbera studios in 1960.

Source: 850 photos: Making of Yogi Bear and The Flintstones in 1960

Happy Birthday, Godzilla!

…And Godzuuuuuukeeeeee….

Holy Robin Compilation!

Holy super cut!

2 Stupid Dogs Combines Childhood Slapstick With Adult Innuendo

If you were a kid in the late 1980’s and early 1990’s, chances are you probably (didn’t) watch a little cartoon produced by Hanna-Barbera studios featuring the antics of two highly-stylised and intellectually-challenged canines. The show in question, 2 Stupid Dogs, is one of the rare, unappreciated gems that helped herald the new renaissance in American animation and gave way to later unbridled shows–such as The Oblongs, Superjail, and Robot Chicken (pretty-much the entire Adult Swim lineup)–that have come to define a humour for an entire generation.

The show was the brainchild of Disney house animator Donovan Cook who had worked on several feature films while finishing his degree at CalArts.  In addition to Cook’s demented sense of humour, Spümcø president John Kricfalusi (“John K.” of Ren and Stimpy fame) as well as other Spümcø writers and artists would often contribute story and artistic elements (Kricfalusi was even credited with contributing “Tidbits of Poor Taste” in some episodes).  The series also helped launch the career of some of the biggest names in animation in the 1990’s and 2000’s:  Genndy Tartakovsky (Dexter’s Laboratory), Craig McCracken (The PowerPuff Girls), Butch Hartman (The Fairly OddParents), and Rob Renzetti (My Little Pony: Friendship Is Magic), to name but a few.  The writing was fresh and often topical, appealing to a mature audience while silliness, gross humour, and slapstick appealed to the “target” audience.

The sheer brilliance of the series laid not only in its razor-sharp wit, but also in its unusual “retro” style.  The cartoon was drawn the the very simplistic, stylised manner of cartoons common in the 1950’s and 60’s, considered to be the golden age of television animation; the show also employed many conventions that had fallen by the wayside during the 1980’s such as absurdism, irrelevant sound effects, and wild takes.  The show also employed a gaggle of celebrated voice actors, some of which were legends in their own right (June Foray, Carol Channing, Casey Kasem, Frank Welker), and some of which were just beginning to get noticed (Ben Stiller, and Everybody Loves Raymond‘s Brad Garrett).

Though only 36 shorts were produced (a paltry 4.5 hours of content compared to other shows at the time), they are packed full of quality content with absolutely no “throw away” episodes.  2 Stupid Dogs guarantees to appeal to both the classic animation lover and to the casual aficionado of cheap jokes and hearty guffaws.

P.S.: This is quite possibly the best line in the series.

Meanwhile, at the Hall of Justice….

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