You’ve seen a painting of Norbert Grupe. A heavy, creased brow and shoulder-length hair framing a frightening scowl, the massive work hung in the fictional Manhattan Museum of Art in Ghostbusters II. When the medieval sorcerer pictured within the painting begins to physically manifest, it is on the Ghostbusters to rally the city’s positive emotions and trap him back in the painting forever. Most people will only ever know Norbert Grupe as Vigo the Carpathian. But Norbert Grupe—a Nazi soldier’s son, boxer, professional wrestler, failed actor, criminal, and miserable human being who was never so happy as when he could make someone hate him—was once a man so beautiful that other men wanted to paint him.